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Aesthetic Theory Paperback – 25 April 2013
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Theodor Adorno (1903-69) was undoubtedly the foremost thinker of the Frankfurt School, the influential group of German thinkers that fled to the US in the 1930s, including such thinkers as Herbert Marcuse and Max Horkheimer. His work has proved enormously influential in sociology, philosophy and cultural theory. Aesthetic Theory is Adorno's posthumous magnum opus and the culmination of a lifetime's investigation. Analysing the sublime, the ugly and the beautiful, Adorno shows how such concepts frame and distil human experience and that it is human experience that ultimately underlies aesthetics. In Adorno's formulation 'art is the sedimented history of human misery'.
- ISBN-101780936591
- ISBN-13978-1780936598
- Edition1st
- PublisherBLM ACADEMIC UK
- Publication date25 April 2013
- LanguageEnglish
- Dimensions13.9 x 2.7 x 21.6 cm
- Print length416 pages
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About the Author
Theodor W. Adorno (1903-69) was a founder and arguably the foremost thinker of the Frankfurt School. He worked with Max Horkheimer at the New York Institute for Social Research and later taught at the University of Frankfurt until his death in 1969. His work has proved enormously influential in sociology, philosophy and cultural theory.
Product details
- Publisher : BLM ACADEMIC UK
- Publication date : 25 April 2013
- Edition : 1st
- Language : English
- Print length : 416 pages
- ISBN-10 : 1780936591
- ISBN-13 : 978-1780936598
- Item weight : 626 g
- Dimensions : 13.9 x 2.7 x 21.6 cm
- Book 1 of 1 : Theory and History of Literature
- Best Sellers Rank: 159,374 in Books (See Top 100 in Books)
- 28 in Aesthetics Textbooks
- 138 in Aesthetics (Books)
- 650 in Art Criticism
- Customer Reviews:
About the authors
Theodor W. Adorno (1903-1969) was the leading figure of the Frankfurt school of critical theory. He authored more than twenty volumes, including "Negative Dialectics" (1982), "Kierkegaard" (Minnesota, 1989), "Dialectic of Enlightenment" (1975) with Max Horkheimer, and "Aesthetic Theory" (Minnesota, 1997).
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Top reviews from Australia
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- Reviewed in Australia on 22 July 2021Format: PaperbackVerified PurchaseI have has a long-term interest in Continental Philosophy. Adorno brought a dense understanding to 20C art and understanding him is a slow but rewarding process.
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Amazon KundeReviewed in Germany on 17 November 2019
5.0 out of 5 stars Gut
Format: PaperbackVerified PurchaseGünstig und gut
- NeckarReviewed in the United States on 30 April 2005
5.0 out of 5 stars The definite book of modernist aesthetics
Verified PurchaseAdorno is not famous for his writing style. His prose is dense, and sometimes impenetrable for the English reader. Yet, I think Adorno's Aesthetic Theory is one of the greatest books of XX century philosophy along with Heidegger's "Being and Time", and Wittgenstein's Tractatus. I think there are three levels of reflection in this book. The first is that AT is a sociology of art. Adorno traces the social and economic conditions of how modern art becomes to being. Industrialization and modernization have a great impact on aesthetics because perception and reality are fundamentally altered. Adorno makes the case that the destruction of nature by industry propels modern art to find its reality elsewhere by becoming abstract. Art does not want to imitate nature since nature is already destroyed. It escapes to the realm of idea(l)s in order to critique the current state of being. Aesthetics is the second level of reflection. Aesthetics in modernism becomes an instrument of social critique. Before, in the time of Kant and the idealists, aesthetic was the study of beauty and artistic genius. Now, according to Adorno, it becomes the study of social disintegration in which the artist is just the "unfortunate" medium to express it. Yet, Adorno is not a complete pessimist. He sees in aesthetic reflection a tool for utopian transformation. This transformation constitutes the third level of reading AT -the philosophical or utopian. Modern art, because it critiques this world for the sake of a better one, is also philosophy. Since philosophy was the discipline that established how the real and ideal are separated, modern art also shows this gap, and treats beauty as a poor substitute for happiness. Beauty, once idealized by the elite, becomes a sign of art's powerlessness to transform the world. This impotence, still, is a sign of art's utopian power. This kind of paradoxical reasoning is typical of Adorno, and it is loaded with political significance. Art promises something that cannot be delivered, but who delivers then?
- Nicholas ToddReviewed in Canada on 20 March 2014
5.0 out of 5 stars Adorno's magnum opus?
Format: PaperbackVerified PurchaseI have an earlier edition of this book which I found difficult to read because of the much smaller type used in its printing. I find Bloomsbury publications much more readable in that sense, and that's even more important when one is taking on a work as dense and complex as this one. I also appreciate that the margin space is such that I can add some notes of my own.
I have not yet finished the book, but every time I read more of it I come across mind-blowing observations on the philosophy of art and its place in human society. This is the last of Adorno's major works I have not finished, and it may well prove to be the most profound of them all.