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Nicki Greenberg
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Hamlet: William Shakespeare's Hamlet, staged on the page Hardcover – 1 October 2010

by Nicki Greenberg (Author)
5.0 out of 5 stars 1 rating
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Richly imagined, this is an audaciously brilliant tour de force from the creator of the graphic novel adaptation of The Great Gatsby.

The play's the thing

Wherein I'll catch the conscience of the king!

Denmark is in turmoil. The palace is seething with treachery, suspicion and intrigue. On a mission to avenge his father's murder, Prince Hamlet tries to claw free of the moral decay all around him. But in the ever-deepening nest of plots, of plays within plays, nothing is what it seems. Doubt and betrayal torment the Prince until he is propelled into a spiral of unstoppable violence.

In this sumptuous staging of Shakespeare's enigmatic play on the page, Nicki Greenberg has created an extraordinary visual feast that sweeps up all in its path as the drama intensifies both on stage and off.

An astounding work - unique, gripping and, as ever, tragic.
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  1. Print length
    440 pages
  2. Language
    English
  3. Publisher
    A & U Children
  4. Publication date
    1 October 2010
  5. Grade level
    9 - 12
  6. Reading age
    14 - 18 years
  7. Dimensions
    21.59 x 3.56 x 29.21 cm
  8. ISBN-10
    1741756421
  9. ISBN-13
    978-1741756425
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Product description

About the Author

Nicki Greenberg is a writer and illustrator based in Melbourne, Australia. Her first picture books, The Digits series, were published when she was fifteen years old. She later spent ten years disguised as a lawyer, while maintaining a not-so-secret Other Life as a comics artist and children's book author. Nicki is the creator of the award-winning 'staged-on-the-page' adaptation of Shakespeare's Hamlet, and of the graphic adaptation of F. Scott Fitzgerald's The Great Gatsby. Inspired by her own young children, Nicki has written and illustrated many delightful picture books for younger readers including The Naughtiest Reindeer series, Meerkat Choir, Teddy Took the Train, and Morris the Mole. In her Zelda Stitch novels, Nicki has come a step closer to realising her childhood dream of being a witch.

Product details

  • Publisher ‏ : ‎ A & U Children
  • Publication date ‏ : ‎ 1 October 2010
  • Language ‏ : ‎ English
  • Print length ‏ : ‎ 440 pages
  • ISBN-10 ‏ : ‎ 1741756421
  • ISBN-13 ‏ : ‎ 978-1741756425
  • Item weight ‏ : ‎ 2.06 kg
  • Reading age ‏ : ‎ 14 - 18 years
  • Dimensions ‏ : ‎ 21.59 x 3.56 x 29.21 cm
  • Grade level ‏ : ‎ 9 - 12
  • Customer Reviews:
    5.0 out of 5 stars 1 rating

About the author

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Nicki Greenberg

Nicki Greenberg

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Nicki Greenberg is a writer and illustrator with a special interest in sequential art narrative - a fancy way of describing comics.

Nicki's first books, The Digits series, were published when she was fifteen years old, and sold more than 380,000 copies. Since then, she has devoted most of her ink to comics, but has also written and illustrated fiction, non-fiction and picture books for children.

At seventeen, Nicki fell in love with The Great Gatsby. Almost ten years later, she set out to pay tribute to F. Scott Fitzgerald's novel by interpreting it in comic art form. It took more than six years to complete this enormous labour of love.

This mad undertaking was followed by three years' passionate work on Shakespeare's Hamlet, which she finally staged on the page in 2010.

You can read more about Nicki's work at www.nickigreenberg.com

Nicki lives in Melbourne, Australia.

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  • Frances Burney
    5.0 out of 5 stars This amazing book uses the original Shakespearean language and a trippy
    Reviewed in the United States on 15 December 2016
    Verified Purchase
    This amazing book uses the original Shakespearean language and a trippy, dreamscape visual vocabulary to bring Hamlet to the page in an altogether new way. The stylized figures are minimalist, yet convey important nuances about characters. The details are sometimes a little jarring, in the way that art can be; Gertrude has prominent, animal-like dugs that are constantly on display, which is an effective way to invoke some of the oedipal issues that directors often draw out of the play. The backgrounds are vibrant, swirling, fantastical (and occasionally nightmarish - again, in a good way), working in perfect contrast to the black outline figures. My only regret is that this title isn't easily available in an inexpensive format for use in a course on Shakespearean adaptation I'm teaching - this is one of the more interesting visual treatments I've seen.
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